200G 12” LP
200G 12” LP
TSR005 // TBA
A1 // CANDYLAND
A2 // CRUSHING LIMBS
A3 // HATCHET
A4 // SANDSTORM
A5 // SWITCHBLADE
A6 // TEXAN PLAINS
B1 // LAND MAJESTIC
B2 // FRAME ME RIGHT
B3 // THE FIGHT
B4 // CHA CHA CHA
B5 // SAFETY OF OBJECTS
HEAVY MEADOW
PRE ORDER
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01 // CANDYLAND
02 // CRUSHING LIMBS
03 // HATCHET
04 // SANDSTORM
05 // SWITCHBLADE
06 // TEXAN PLAINS
07 // LAND MAJESTIC
08 // FRAME ME RIGHT
09 // THE FIGHT
10 // CHA CHA CHA
11 // SAFETY OF OBJECTS
CD
TSR005 // 02.05.2011
TSR005 // 07.09.2010
01 // CANDYLAND
02 // CRUSHING LIMBS
03 // HATCHET
04 // SANDSTORM
05 // SWITCHBLADE
06 // TEXAN PLAINS
07 // LAND MAJESTIC
08 // FRAME ME RIGHT
09 // THE FIGHT
10 // CHA CHA CHA
11 // SAFETY OF OBJECTS
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Anni spent most of last winter writing, demoing and reworking her newest new songs in a tiny little room with her viola, piano and tape recorder back in Chicago. She couldn't wait to make Heavy Meadow, so she came to New York to work with composer / drummer Devin Maxwell and engineer Matt Boynton and decided to stay. They recorded the album at Matt's studio, Vacation Island in Brooklyn, a studio also used by BAT FOR LASHES, MGMT and GANG GANG DANCE.
If you listen closely to her lyrics, sounds and themes you will see how Anni delights in playing tricks and is a cheeky prankster, even if she is singing about something near and dear to her or sharing her emotionally intimate ideas. “My lyrical sensibilities are now moving away from my more narrative art-songs to straight up hook-based pop lines. I think there is a slightly mischievous streak that has bubbled to the surface in some of my writing. I address dark themes, violence, conflict and agony in a playful way, it's almost like I'm winking at the listener.”
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